Checked Out, by Sharon St. George: A Horse is Wrongly Accused of Murder

checked_outCamel Press will release Checked Out ($15.95, 328 pages, ISBN: 978-1-60381-225-2), the second book in a mystery series featuring forensic librarian Aimee Machado and set in Northern California. When a rodeo cowboy is killed, Aimee becomes enmeshed in his complicated family dynamics.

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“The story is interesting, unique, and fun, and the puzzle is challenging to solve ahead of the heroine.”  Read more….

—Carolyn Haley for the New York Journal of Books

“Sharon St. George has created an absorbing mystery of family betrayal, medical intrigue, and three tightly interwoven mysteries. Whether she’s searching through morgues, dodging bullets, or hiking the Cascade Mountains with llamas, amateur sleuth Aimee Machado is a realistic character with surprising strength, relatable flaws, and a lot of heart. Checked Out is a sure winner!”

—Tracy Weber, Agatha Award nominated author of the Downward Dog Mysteries

“St. George’s latest ‘Aimee Machado’ book is filled with twists and cleverly plotted. Her obvious knowledge of the medical world and human relations provides a satisfying page turner.”

—Sasscer Hill, Agatha and Macavity Award nominated author

“An exceptionally engaging mystery thriller from beginning to end…. A deftly crafted novel that well prove to be an enduringly popular addition to community library Mystery/Suspense collections.”  Read more….

—Mary Cowper for Midwest Book Review

When rodeo cowboy Cody O’Brien is found dead in his horse trailer, it appears that his horse, Game Boy, is the culprit. Aimee Machado, health sciences librarian at Timbergate Medical Center, has no reason to doubt the preliminary finding—not at first. Cody had been in the hospital awaiting an operation the night he died, but he checked himself out. Had he reason to believe his surgeon, Dr. Phyllis Poole, was incompetent? Or is his death related to his complex relationship with his family? It turns out his father is dying, and four people other than Cody stood to inherit: his young trophy wife Echo, his son James, his daughter Keely, and her fiancé Tucker. How does Dr. Poole fit into all this? Her surgical outcomes have not been the best. Not to mention that Laurie Popejoy, TMC nurse and Poole’s rival in the hospital’s blues combo, disappeared the night of Cody’s death.

Aimee is highly motivated to investigate. She once had a crush on Cody’s brother James, who has now set his sights on her. The missing nurse, Laurie, left Aimee a desperate phone message the night she disappeared. Moreover, Aimee’s friend and co-worker Cleo has elicited her help to discredit Dr. Poole.

Aimee is already confused romantically. Although it pains her, she is trying to keep Nick, the pilot she loves but does not trust, at arm’s length. But his help proves too invaluable to refuse. Can Aimee ferret out the truth without losing her job and her life?

Says St. George, “When I was a child growing up in a ranching community, there were times when the only mode of transport to the county library was a three-mile ride while fixed firmly behind my mother’s back on her bay mare. So it will come as no surprise that the books I chose to read always featured horses. By the time I was given my own mare at age twelve, I was a die-hard fan of rodeos and cutting horse competitions. As an adult, I worked in several medical offices and eventually spent a number of years as coordinator of the medical staff organization of an acute care hospital, where I also served as the health sciences librarian. Eventually, my love of reading led me to write mystery novels. For the plot of Checked Out, I was able to combine four of my favorite subjects: cutting horses, rodeos, hospitals, and forensics. As with Due for Discard, there is also a sprinkling of romance.”

Sharon St. George’s writing credits include three plays, several years writing advertising copy, a book on NASA’s space food project, and feature stories too numerous to count. She holds dual degrees in English and Theatre Arts, and occasionally acts in, or directs, one of her local community theater productions. Sharon is a member of Sisters in Crime and Mystery Writers of America, and she serves as program director for Writers Forum, a nonprofit organization for writers in Northern California. For more information, click here.

Keep reading for an excerpt:

“Hello, Aimee, remember me?” A deep voice, vaguely familiar, pulled my attention from the computer screen. A man who looked about forty walked in. He was dressed in faded jeans, scuffed cowboy boots, and a gray plaid Pendleton shirt. As he walked toward my desk, his broad smile told me he expected a warm welcome. His wavy hair was reddish-brown and his face was familiar, but the name wouldn’t come.

“I’m sorry,” I said. “You have the advantage.”

“Come on, Aimless, you’re breaking my heart.”

No one called me Aimless except Harry. How did this guy know that nickname? Then it struck me. James O’Brien. Cody and Keely’s older brother. He used to drive Keely to and from the dance studio where we took lessons when we were eight years old. He was eighteen then, and my infatuation with him was sweet misery. It didn’t help that he flirted with me shamelessly, telling me that when I was all grown up he was going to marry me. I stopped believing him when he moved to New York right after my thirteenth birthday. I cried every night for a week. Seeing him now, I felt a flush of pleasure warm my cheeks.

“James, I heard you were back. I’m so sorry about your brother.”

“Thank you. It was a shock for all of us.” He opened his arms. “Hey, don’t I rate a hug?”

“Of course.” I walked around my desk and tried for something tepid and platonic.

“You call that a hug?” He wrapped me in his arms with the warmth of a long lost lover, rocking my body back and forth. Then he kissed the top of my head. I felt myself melting, and when he released me, I stepped backward, unsteady on my feet. The man smelled like dessert. Lemon meringue pie.

“How long will you be in town?”

“As long as it takes,” he said. “This hit Dad pretty hard, and Echo’s no help. She’s acting like Cody’s death is no big deal, since he and Dad were estranged for the past few years. Keely’s no better.”

“Your father really needs you right now, doesn’t he?”

“It seems that way.” He cocked his head to one side. “Look at you. All grown up.”

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